Science – Complex Mathematics Encrypted in Art
- Athena Engraving - the World's Most Important Picture
Despite appearances, the
Stone-Age engraving shown below is not a free-hand drawing.. With
revealing accuracy, it's
constructed to exact ideas. It's to be treasured as a direct proof of profound knowledge of Mathematics, playfully encoded into Art 14,000 years ago.
A shrewd eye espies constructionism through the engraving's
pseudo-naive facade; indeed, there is a hermetic level to be found, bursting with mathematical meaning. It
is a masterpiece of cryptographic Science-Art.
Though submerged in great depths of time, it emerges as a major factor in the modern era ; it is precedent to many actual topics of interest and forces conclusions in dramatic contrast to the Mainstream History.
Imbued in science and power, the
portrait of the young lady seems backlit by a divine glow, thus, when trying to think of a name for the girl, after consideration of several pantheons, I chose to call her Athena. The engraving then takes its name from her.
after I had first laid an eye upon the image, viewing it
became adventure which was later to turn into a discovery. It
ancient, yet somehow sophisticated. I could feel it; the engraving
was whispering strangely
at the thresholds of my perception.
Eventually, my philosophical
approach to art analysis had struck the vein of advanced prehistoric mathematics.
Knowledge of the engraving's basic geometry, had
positioned my efforts for an unexpected windfall; the solution to "Nazca Monkey", the giant glyph of a monkey from the Nazca Lines, Peru, became a low-hanging fruit, for it advertizes
the same (basic) geometry. Indeed, both Science-Art works arise from the same
exact construction in creating a common template (the Seal of
Atlantis). From there, they continue with different ideas but in the
same spirit. The odds against such replicating by one of the other by
accident are cosmic;
therefore, if the engraving and the monkey are rule setters, then La
Marche engravings and Nazca Lines are both authored by one and the
agency (onwards - the Agency). You be the judge: Should this ironclad fact be considered newsworthy?
Thereafter, the internet controversy over the so called Abydos Helicopter from the Abydos
temple of Seti I and Ramses II drew me in; subsequent
analysis indicated that these glyphs do not constitute a so called
palimpsest, but instead, they are constructs of an exact nature at
whose birth had stood the Golden Section.
That gives credit to the idea the anomalous glyphs had been
engraved as we see them today. It's only natural to suppose that the same
above mentioned agency could be involved in their creation, as well... So, quite a few people now credit the "Abydos Helicopter & the Golden Section" study with providing compelling
evidence of the official archaeological explanation, the
Palimpsest theory, being wrong. It garners the attention
of a steady stream of readers, sometimes peaking in thousands of hits
per day, as someone somewhere stumbles upon it and publishes a link.
is most popular among my webpages. The only other well frequented
article on my site is about the "Baalbek Trilithon", which proves that
the trilithon wasn't built by Romans.
Abydos Helicopter experience had spiked my interest in another controversy regarding ancient Egypt - Was there a common ground plan for the three great Giza pyramids? To my surprise, I was able to document that the ground plan, as measured by Petrie, can be derived from the fastest construction of
the regular five-pointed star (it takes only thirteen steps). That was an astonishing development, for the same method is rather heavily featured in the Athena Engraving, and it culminates the concept of the Nazca Monkey! These
three premodern instances of the method are still the only ones I had ever come
across; it seems that everybody else chooses other alternatives in modern times!
The Exact Reconstruction of the Layout of the Great Giza Pyramids presents an academic effort whose virtues may be
objectively weighed against the rest of the field. In
other cases my research ran a one-horse race;
here, it ventured into a problem, which has been worked on by many ever
such a distinguished field with a
convincing solution, which cannot be beaten in accuracy, must
earn some brownie points, for instance with readers doubtful of my
work's mettle; so, the Giza layout article would be a good
starting point for getting to know it.
The "Frame", the outer boundary of the image, is the doorway to the realm
within and presents some dynamic geometry and meaningful numerical maeasurements. It is
also a very good place to start reading for its concept is clear and simple. Over and over, it invokes Pi and Phi
to a varying number
of significant digits until there is no doubt
in one's mind that it's meant to do that.
in all, it is no doubt disappointing to see readers not paying much
attention to the mutually connected and thusly most important
parts of my research - the Athena Engraving, the Nazca Monkey, and the Giza site
the other hand, the popularity of the relatively simple articles on the
Abydos Helicopter and the Baalbek Trilithon is somewhat encouraging that all is not lost yet.
Construction of the Ground Plan of the Great Giza Pyramids from a Clean Slate
|Since 1883, the year Sir William Flinders Petrie
geodetic survey of
the three great Giza Pyramids, the data has been analyzed for
geometric, and numeric significance. To show that
the three pyramids are parts of the same plan, there have
to generate the layout of the three from pure
ideas. By and large, Giza abounds with inspiring
relationships. But, to safely pin ideas on
the designers, those have to be
built in with compelling accuracy. There are many examples showcasing
the knack of Giza builders for accuracy, setting high standards for us.
study presents a method of replicating the site plan of the three
pyramids exactly to Petrie's specifications when the results are given
to the tenth of an inch (2.54 millimeters). On average, my reconstruction differs from Petrie
by just a little over a quarter millimeter,
so there is plenty of room to spare and still be on the mark.
Usage of Sacred Geometry would seem most appropriate for the sacred grounds of
Giza. This study complies beautifully, as it sets out with the most elegant Golden
Section construction of all. How glad will the skeptically leaning academy be to hear
this development? Not very, I suspect.
There are several versions of the above columns of the widths W-Z and
A-B. Their substitution for one another is instrumental in establishing
the exact position of the Great Pyramid, and the center of the
New study - Proof that Giza's Groundplan is 15,000 years old
If the groundplan of Giza is 15,000 years old, how old are the pyramids themselves?
Giza Pyramid temples & the Golden
pyramid temples are conspicuous by the inordinate quantity of golden
rectangles in their layout. This article is content to establish the fact, and goes no deeper.
Abydos Helicopter & the Golden Section
helikoptéra & Zlatý řez
( Czech version of the above article)
Rawles background photographed in November1992
this were modern art, we'd have no doubt that it clearly shows a
helicopter next to a stacked formation of three harder to identify
advanced craft. Disavowal stems strictly from the fact that
this art is over 3,000 years old, and we know that there was no
advanced technology and science in our misty past - don't we?
The scene had caused some sensation in the nineties, but soon
Egyptologists claimed to have identified at least two sets of
overlapping hieroglyphics in it. This proffered
a simple scientific explanation: What we see is a palimpsest,
accidental illusion. First
there had been some original glyphs, which were later hidden by plaster,
and replaced by a set of different glyphs engraved partially in stone
and partially in plaster. Eventually, the plaster had crumbled out,
and the overlapping hieroglyphs began looking like images of
modern craft.. With this simple explanation, science had prevailed once again over sensationalism, it would seem.
scientific consensus depends on the assumption of Chaos as
the creative force behind the Abydos Helicopter scene. To thwart
consensus, and to disprove the Chaotic explanation, it must be
shown that the glyphs obey a clear rational
order. Simple testing does indeed lead to such a conclusion :
The Abydos Helicopter scene is not a palimpsest, it is a design.
engraving & the Golden Section
case is really simple. The rods, which Hesire holds in his hands
are key to the solution of the layout. The Golden Section is
The Nazca Monkey Report
- The Seal of Atlantis
14,000 – 2,000 years ago – Nazca Lines, Peru -
Someone had profound knowledge of Mathematics, and a method of encoding
exact ideas into Art
when we observe how the giant ground drawing of a monkey from Nazca,
Peru is identical to the Athena Engraving in that it uses the same starting configuration, and encoding system. What
emanates from our seemingly primitive subjects of study is abstract and
elaborate scientific thought - enough evidence in fact, to
force the conclusion that the creators of La Marche, and Nazca were
part of the same agency. It appears that they worked on the same
project - to provide legacy spanning the Old and the New Worlds across the
gulf of millenia.
A stone tablet from Stone-Age France, and a prehistoric glyph from a
sun-baked desert in Peru share one original template. This is
a unique geometrical figure,
which seals the issue of existence of an advanced prehistoric
want of a better candidate civilization from prehistory, I dubbed it
"the Seal of Atlantis". Honestly, trying to present a hypothesis on the
identity of this Agency would be mere speculation, although one thing
is obvious, the longevity, and omnipresence of the Agency from at
least 14,000 BP until at least 2,500 BP (pyramids), or even later,
should Nazca Lines date into the first millenium AD. Considering
influence of the Agency bearing upon the modern times, perhaps, it
might be a good idea to learn
how to read the ancient code. Its importance
may be of cosmic proportions..
configuration, the Cone & Square seems to be terribly important at Nazca, as well as La
Marche. Note that there is some resemblance to the masonic Square & Compasses...
Interesting art - an eye of a
monkey, a sol spinning off balls of fire... Did I author it? Absolutely
not! Whoever did the Nazca monkey, must have had this on the drawing
board once, as well.
- Giza connection
glyph of the monkey is
much simpler than the Athena engraving. Its
structure seems to focus on recording the fastest method of how to
construct the regular 5-pointed star, the very same method
which forms the foundation of the Giza pyramids.
rock shelter of La Marche near Lussac-les-Chateaux, southern France
a Stone-Age Academy?
Athena Engraving - Born of Euclidean Geometry
on, I had translated some elements of the drawing into the above
configuration, in which a cone and a square are found
superimposed over each other in some instantly visible harmony. The possibility of a logical explanation of the configuration wouldn't let me rest until I found it a couple of months later.
solution is a classic, yet, some people have the nerve to insist that I
had conjured the solution out of thin air; so, it is important to
note the sequencing of the events, which, I believe, precludes
or outright fraud on my part:
* The identification of primitive geometric elements in the engraving came first.
For better or for worse, these had been permanently fixed in position (and still are).
* The big test came afterwards; was there a higher level, on which the elements connected logically?
odds were heavily stacked in favor of Chaos over Intelligent Design because that was the rule for prehistoric art. From the outset, the experiment was in no way under my control, it was searching in the
dark for a surprise. Had I
failed as expected, I would have written the whole
thing off as educational fun.
The consensus among critics insists that in any sufficiently complex
drawing some order will be discovered, which could be construed as intelligent despite being unintentional! Therefore, critics equate involuntary, accidental natural order to intelligent order. They insult true intelligence by elevating an earthworm's intelligence to the same level. Understanding
the axiom that a random act will produce a weak, random order, at best, and witnessing the great theoretical depth
of the Athena Engraving, should clarify that the two are not alike.
the solution to the Cone & Square configuration was the
critical breakthrough to a real discovery. At the time, I had no
that it emerged right into the center of a great
controversy with topics like the Golden Section & Antiquity, Advanced Mathematics in Ancient
Egypt, Lost Science, Lost Advanced Civilisations, and Alien Visitations. Magdalenian
science-art is where the mystery begins, but where it ends, nobody knows.
geometric creations within Athena's torso belong to the Square, the
second part of the basic Cone & Square configuration. Here we
see the “Pyrostar” configuration.
boundaries - A Game of Semantics
lines form the simplest aspect of the image - the "Frame". The distances between adjacent points of the Frame in
millimeters give a set of thirteen whole
numbers. It is a Smart Set, enough to show off advanced knowledge
of properties of numbers, Pi, Phi, Equinoctial
Precession (mathematics and astronomy), as well as ability to
produce brilliant logical puzzles..
the very act of analyzing a set of numbers for rational meaning will
charges of indulgence in Numerology & Witchcraft. Yet,
the Frame is a perfect illustration of what is not numerology!
Numerologists apply analysis to random data, and then blatantly
misinterpret their results, as revelations of hidden meaning. In
contrast, the Frame smashes all
records in the amount of thematic rational meaning compressed into such
small group of numbers. There is no way to improve it. It is patently
Some of the quotations given by the Frame are very impressive:
= 3.1415926535897932384626433832 Twenty-eight decimals
The following classic approximation of Pi appears seven times!
355 / 113 = 3.141592..
- Osiris Numbers - number 432
The Frame encodes the rate of equinoctial
precession at par to today's
state-of-the-art measurements. This fact suggests that the
rate has not changed much at all since, a valuable tidbit of information.
It took modern instruments in the hands of scientists to arrive at this
value. What did it take in prehistory?
Hex-Machine – a family of three hexagons
systematically related 5-pointed stars
Bekaa Valley, Lebanon
the image seems too big
for this page, look again. It is not nearly big enough. The panoramic
view does not even span the Trilithon, the three blocks
of stone in a row on the west-side of the Baalbek Terrace. They are in
a class of their own, by far the heaviest stones ever
on this Earth - Super-cyclopean,
Hyper-colossal, Über-duper, or a term of
your own, take
a pick. The block on
the right steadies the Jupiter's temple. The temple looks
Roman, the platform looms alien. We know that Romans built the temple,
but archaeological opinion also credits the blocks
to Roman achievements. Yet, there are some hefty
small, but telling details, which put the
platform on shaky ground. The blocks must be thousands of years older.
Is the technology of the prehistoric agency which
left us La Marche engravings, and Nazca Lines behind their
La Marche engraving. It
is known as one of strange La Marche engravings of headless obese
females. Of course, the strangeness is due to the perception being
utterly wrong. There are so many other things to look at. The obese
woman without a head is an illusion.
A couple of impressions from another La Marche engraving.
Oldest Image of a Horseman?
A cut-out from an image on a wall at Les Trois Fréres,
also dating back to the Magdalenian period of the Old Stone Age.
Oldest Image of a Gunfighter?
Stéphane Lwoff was under the impression that this guy was dancing. I
took the liberty of re-orienting his drawing, and suddenly, the stance looked natural, what with the
figure's feet firmly planted on the ground.
Face on Mars & the Golden Section
overall shape of the famous 'Face on Mars' in terms of geometry is a
stack of three Golden Rectangles.
stand by this result, whether it is an accident of nature, or not, the
formal coincidence is there.. It's not complex enough, however, to warrant a jump to conclusions about its artificiality.
reader's amusement, and mine as well, another face on Mars appears to
facsimilate my high-school grad picture. This is quite a grand illusion, as
Strangely, the timing of my findings had coincided with the nearest
approach of Mars to Earth in decades ☺
Fostering love of mathematics is a calculated risk..
Mruzek - Vancouver, BC, Canada
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